En vivo, Video: Buscador de críticas de conciertos de música clásica, ópera, ballet y danza | Orpheus Chamber Orchestra

One of the most charming attributes of Montgomery's Strum is the way different individual voices rise from and fall back into a seductively colored sound canopy. 

The players demonstrated again the unity of an impromptu ensemble, although made up of instrumentalists that have played numerous times together. 

Less is more in a brilliant performance by the Orpheus Chamber Orchestra and star soloist Jan Lisiecki at Prague Spring.

During Jessie Montgomery's Records from a Vanishing City, musical styles from avant-garde jazz to Angolan lullabies quarreled and overlapped, keeping our ears pricked for the duration of the piece.

A strong thunderstorm delayed the Orpheus Chamber Orchestra’s Blossom Music Center debut, but despite their fine playing, the venue proved too large.

The conductorless  Orpheus Chamber Orchestra and violinist Pinchas Zuckerman, however, presented an evening of music loosely connected across several centuries, effectively pressing shuffle on the classical music jukebox.  

A free public concert with Orpheus Chamber Orchestra and celebrated friends chosen for the 10th anniversary celebrations of the Colombian festival.

Disappointing Mozart compensated by a lively new work by Fazil Say in Heidelberg. 

Monday evening at Lincoln Center’s annual White Light Festival, audience-goers were sucked into the multi-media universe of Michel van der Aa. The concert, which featured four of Mr. van der Aa’s compositions, took place in the darkened ballroom of the Manhattan Center, running to a bit over an hour with no intermission. Three solo works, each about ten minutes long, were paired with the U.S.

Sitting in the majestic Carnegie Hall, Orpheus Chamber Orchestra almost looked dwarfed by the sheer size of the stage. Cristi Andrews Cohen’s voice echoed as she recited the poem by Richard Dehmel. But then soft hums emanated from the strings, incessant but quiet at first, slowing building to a larger, richer sound that enveloped the hall.

A happy few: that was how Gabriel Kahane referred to his cohorts on stage at the Galapagos Art Space. But there was more than met the eye to Sunday night’s performance.The curtain opened to reveal the stage at the Galapagos Art Space, and there sat the Orpheus Chamber Orchestra, without a conductor. Truthfully, the effect was strange at first.