En vivo, Video: Buscador de críticas de conciertos de música clásica, ópera, ballet y danza | Frances Gregory

A top notch ensemble brings Coult’s first opera luminously to life at the Buxton International Festival, finding renewed relevance in the post-pandemic era.

Janáček's woodland fairy tale proved a superb ensemble choice for the festival's Emerging Artists program.

Students triumph in Tchaikovsky's Iolanta and Ravel's L'Enfant et les sortilèges.

À la Royal Academy of Music, Semele de Händel offre une expérience jubilatoire et rafraîchissante. Mise en scène ingénieuse et jeunes chanteurs talentueux sont au menu de cette production.

Royal Academy Opera maintains its usual high standards in a production of Handel’s operatic oratorio, a showcase for the singers of the future.

Rather than compiling a Top Ten of Baroque Hits, The Enchanted Island amounts to much more than a gallimaufry of choice gobbets, seasoned with French galenterie.

Dove's infectious score nods to Copland, Bernstein and Britten and its tongue-twisting ensembles and high-wire vocal writing were wonderfully performed. 

“Folies Bergère does Greek gods” is how director Martin Duncan describes Offenbach's Orphée aux enfers, and his production for Royal Academy Opera is enormous fun.