En vivo, Video: Buscador de críticas de conciertos de música clásica, ópera, ballet y danza | Antoinette Halloran

Melbourne Opera maintains the high standard of its all-Australian endeavour to the very end in a triumphant Götterdämmerung.

Melbourne Opera's Siegfried continues the dramatic excitement and first class singing of it predessors in the Bendigo Ring cycle, including a great performance of the title role by Bradley Daley. 

Melbourne Opera's Walküre outdoes expectations, with really splendid singing and all-round performances, led by Lee Abrahmsen's Sieglinde. 

West Australian Opera's production of Sweeney Todd was an excellent, crackling performance, with everyone involved in top form, with some unexpected players showing great talent in this not-very-operatic work.

Joyful, enthusiastic singing, dancing and music combined for a very entertaining The Merry Widow with delightfully cast lead roles. 

Kosky’s The Nose hits Sydney, sweeping the audience along with hallucinogenic energy. Led by the outstanding Martin Winkler and John Tomlinson, singers and musicians deliver a wild evening's entertainment.

A revival of Francesca Zambello's production of Prokofiev's Love for Three Oranges at the Sydney Opera House is a joy, thanks to the antics of Kanen Breen at the head of a strong cast.

There are Australian accents and idioms aplenty in this exciting new State Opera of South Australia opera being premiered in Adelaide.

Sometimes in a performance there is a moment when everything just comes together; when every element on stage is operating at such a high level that the performance transcends these elements and causes one to become so immersed in the proceedings that you forget you’re at a performance at all.