En vivo, Video: Buscador de críticas de conciertos de música clásica, ópera, ballet y danza | Cheyne Davidson

In a reprise of Ole Anders Tandberg’s somewhat confused production, a solid cast performs a charming bohème, under the baton of Marco Armiliato.

Bildgewaltig inszeniert Floris Visser Jules Massenets Oper; Elsa Dreisig und Piotr Beczała erobern als unglückseliges Liebespaar Herzen und Ohren.

Barrie Kosky’s production of Franz Schreker’s Die Gezeichneten (The Branded) is in keeping with what was long considered one of the early 20th century’s most scandalous works. 

The backstory doesn’t bode well: three fugitive criminals decide to found a city that will pander to society’s most vital needs: food, sex, warfare, and alcohol.

In a new production of Franz Lehár’s The Land of Smiles, the stoic Sou-Chong sets the melancholy tone of the operetta by singing “Smile despite your sorrows and a thousand.. aches and pains”.

Juan Diego Flórez stars as Goethe’s archetypal Romantic poet in Massenet's Werther in Zurich. 

The plot revolves around the daily life of a simple German town. But this fine production will make you glad that this is not your story.

Sonya Yoncheva brilliert in einer Inszenierung, die beweist, dass die Handlung von Verdis Oper über die Jahre nichts an Aktualität eingebüßt hat.

Nina Stemme's domination of the heaviest dramatic soprano repertoire continues with an outstanding Isolde at the Zurich Opera House, ably assisted by Stephen Gould, Matti Salminen, and other notable performers under John Fiore.