En vivo, Video: Buscador de críticas de conciertos de música clásica, ópera, ballet y danza | Joshua Junker

Two vivid debuts as Colas, marked the second revival of La Fille mal gardée this season at The Royal Ballet.

Ballet Nights is an ambitious dance project that began two and a half years ago and was the brainchild of founder, Jamiel Devernay-Laurence. Lots to applaud while celebrating its tenth programme.

The Dutch National's Junior company dazzled in three new works and a Balanchine classic, showcasing the stars of tomorrow.

Ballet Nights is more than an evening of party pieces: it showcases emerging talent alongside older favourites and, in the case of this first Scottish outing, has an eye to local tradition.

The Royal Ballet revive Ashton's masterpiece with some superlative leading performances in a production that is visually rich and imaginative.

In a quadruple bill of contemporary works, The Royal Ballet's dancers shine in this diverse programme, creating an immersive experience.

“Ballet Nights: New Voices” proves a hit in an unlikely venue in Ministry of Sound. Watch this space!

Four world premieres and four main stage debuts provides genuine hope for the future of choreography.

A mix of world class performances and interesting new choreography is a bit of a magnet for ballet-goers.

Kyle Abraham's The Weathering doesn't feel particularly fresh on its premiere, but Crystal Pite's Solo Echo and Christopher Wheeldon's Danse à Grande Vitesse pep up the first triple bill of the season at Covent Garden. 

A sample of emerging choreographic talent from around the world that suggests a fascinating future