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Festival of New Choreography: plenty of imagination and bold choices

Yasmine Naghdi in Gemma Bond's Boundless
© Andrej Uspenski
Yasmine Naghdi and Ryoichi Hirano in Gemma Bond's Boundless
© Andrej Uspenski
The Royal Ballet in Joshua Junker's Never Known
© Andrej Uspenski
The Royal Ballet in Joshua Junker's Never Known
© Andrej Uspenski
The Royal Ballet in Mthuthuzeli November's For What It's Worth
© Andrej Uspenski
Mayara Mayagri in Mthuthuzeli November's For What It's Worth
© Andrej Uspenski
Fumi Kaneko and William Bracewell in Jessica Lang's Twinkle
© Andrej Uspenski
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“both so well-suited to the mellifluous, poetic movement”
Crítica hecha desde Royal Opera House, Covent Garden, Londres el 15 febrero 2024
Boundless (Gemma Bond)
Never Known (Joshua Junker)
For What It's Worth (Mthuthuzeli November)
Twinkle (Jessica Lang)
The Royal Ballet
Orchestra of the Royal Opera House Covent Garden
Kate Shipway, Piano
Robert Clark, Piano
Yasmine Naghdi, Bailarín
Ryoichi Hirano, Bailarín
Mayara Magri, Bailarín
William Bracewell, Bailarín
Fumi Kaneko, Bailarín
World ballet stars and future talents at Ballet Nights’ Decadance
****1
Dutch National's Junior Company sets ballet to new rhythms
****1
Ballet Nights makes an impressive and unforgettable Scottish debut
****1
The Royal Ballet's revival of Cinderella: a sparkling spectacle
****1
Encounters: The Royal Ballet at its versatile best
****1
Ballet Nights: Ministry of Sound opens its doors to new horizons
****1
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