En vivo, Video: Buscador de críticas de conciertos de música clásica, ópera, ballet y danza | Anthony Marwood

Concierto de excelente confección en el Thomas Adès dirigió obras propias y de Janáček, ofreciendo una lección en torno a su música y la de un autor por el que siente especial atracción.

The BBC National Orchestra of Wales, conductor Ryan Bancroft and violinist Anthony Marwood deliver an evening of rapid gear-shifting, punchy momentum, dancing lyricism and mischief at Hoddinott Hall.

A concept album of a programme which might not quite have cohered, but whose components were never less than lovely.

A performance Vaughan Williams' Job to truly cherish, with Manze using all his experience to produce a mature and thrilling account of this masterpiece.

On the 50th anniversary of the first lunar landing, the musicians of Yellow Barn played a wide-ranging program of works inspired by the night sky. 

Steve Mackey's Violin Concerto entitled Beautiful Passing was the highlight in this Sydney Symphony concert which also explored popular Czech repertoire. 

Marc-André Hamelin, Martin Fröst and Anthony Marwood join forces at Wigmore Hall in a great selection of mainly 20th century classics by Debussy, Stravinsky, Bartók and Poulenc.

Despite the frequency with which the two composers are compared, Thomas Adès’ music seldom sounds very much like that of Benjamin Britten. But Adès has an uncanny knack of performing Britten’s music in such a way that it resembles his own.

György Ligeti’s Concert Românesc was banned by the Soviet government for the crime of getting too fancy with colouring on dominant chords. Though by no means overly dissonant, especially as compared to Ligeti’s later works, the last few minutes of this work do become ever so slightly crunchy.

“Three concertos and an epitaph” is how the Wales Millennium Centre summed up tonight’s concert. Not only did the selected programme focus almost exclusively on three composers’ essays in the concerto genre, but it also spanned a narrow period of time within the mid 20th-century: 22 years in total, or 38 if one includes Andrzej Panufnik’s Katyn Epitaph.

Red, white and blue bunting, with matching lighting, adorned the balconies of Cheltenham Town Hall, setting a patriotic scene for a concert of music from the year that World War I ended. Television presenter Julia Somerville opened the evening sat at a vintage newsdesk with her own careful research, for which she can be highly commended.

At this concert we were treated to three completely different works which showcased the orchestra in a variety of styles and colours.

For its season finale, Soundings: New Music at the Nasher presented violinist Anthony Marwood and pianist Aleksandar Madzar in a program advertised as “a dialogue of caprice and masterpiece.

Jonathan Morton handed over the reins to guest director Anthony Marwood for the final set of concerts in the 2010/11 series from the Scottish Ensemble. Marwood was also the soloist for the UK premiere of Schuman's Cello Concerto arranged for violin by Orlando Jopling. It was interesting to see how differently the group responded to a different leader.