En vivo, Video: Buscador de críticas de conciertos de música clásica, ópera, ballet y danza | Brett Weymark

Dean Bryant's production of Leonard Bernstein’s operetta leans more towards musical theatre, blending French period costumes with weak attempts at Aussie humour. 

West Australian Opera's production of Sweeney Todd was an excellent, crackling performance, with everyone involved in top form, with some unexpected players showing great talent in this not-very-operatic work.

Voltaire and Bernstein's wilful political incorrectness make Candide a challenge to behold, but the Sydney Philharmonia meets them in a concert performance in the opera house.

The stunning Glyndebourne production of Saul by Barrie Kosky also makes a big impact in the Adelaide Festival.

Some nice singing and Baroque playing don't quite make up for an over-ambitious, drab staging of a Handel oratorio in Australia's capital.

Masaaki Suzuki’s debut with the Sydney Symphony Orchestra.