Is Opera Australia’s Candide really the best of all possible worlds?

Annie Aitken (Cunegonde)

The cast of Candide

Cathy Di-Zhang (Paquette), Euan Fistrovic Doidge (Maximillian) and Opera Australia Chorus

Eddie Perfect (Pangloss)

Por Zoltán Szabó, 24 febrero 2025

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“the aesthetic bar has not been set very high”

Crítica hecha desde Sydney Opera House: Joan Sutherland Theatre, Sídney el 20 febrero 2025

Bernstein, Candide

Opera Australia

Brett Weymark, Dirección

Dean Bryant, Dirección de escena

Dann Barber, Diseño de escena, Diseño de vestuario

Matt Scott, Diseño de iluminación

Opera Australia Orchestra

Opera Australia Chorus

Lyndon Watts, Candide

Annie Aitken, Cunegonde

Eddie Perfect, Doctor Pangloss

Dominica Matthews, Old Lady

Euan Fistrovic Doidge, Maximilian

Cathy-Di Zhang, Paquette

John Longmuir, Governor, Vanderdendur

Andrew Moran, Martin

Eddie Muliaumaseali'i, Cacambo

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Eugene Onegin returns to the Sydney Opera house in Kasper Holten’s slightly awkward production but the singing and orchestral playing are exemplary.

****1

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Elijah Moshinsky’s 33-year-old production of Hansel and Gretel hasn’t aged well.

***11

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Opera Australia's new Turandot succeeds with musical, dramatic and visual values with a mix of local and imported talent.

****1

Siobhan Stagg leads a strong Marriage of Figaro revival in Sydney

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Siobhan Stagg is an outstanding Susanna in a strongly cast and well produced Marriage of Figaro at the Sydney Opera House

****1

Watery magic as Nicole Car makes a triumphant return to Sydney

Jeremy Eccles, 19th July

Nicole Car makes her role debut as Dvořák's Rusalka in a production by Sarah Giles that proves a winner.

****1

Danielle de Niese makes Carmen debut in a colourful new Sydney staging

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Danielle de Niese's assumes the title role at the Sydney Opera House, leading an impressive cast with an interesting approach to characterisation with a somewhat over the top blingy setting.

****1

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Zoltán Szabó

Zoltán Szabó is a cellist and musicologist. Having migrated from his native Hungary to Australia in 1985, he worked with the Australian Chamber Orchestra in Sydney until 1991, when he became Principal Cello with Opera Australia. In 2017, he was awarded with a Doctor of Philosophy degree (PhD). Currently, he is teaching music history and musicology at the Sydney Conservatorium of Music.