En vivo, Video: Buscador de críticas de conciertos de música clásica, ópera, ballet y danza | Cindy Van Acker

La genial producción de Romeo Castellucci nos recuerda el ilimitado poder de la ópera como instrumento de comunicación

Romeo Castellucci's intense production of Bartók's opera reaps its rewards in the performance under Teodor Currentzis, but Carl Orff's opera-oratorio De temporum fine comoedia feels little more than a drab filler. 

The pairing of controversial director and bad-boy conductor brings some thrills but the Salzburg Festival's new Don Giovanni proves disappointingly uninvolving. 

An astonishing performance by Asmik Grigorian is central to the Italian director's disturbing reading of a disturbing opera.