En vivo, Video: Buscador de críticas de conciertos de música clásica, ópera, ballet y danza | Sophie Laplane

Centuries after her beheading by her English cousin, Mary Stuart remains a potent symbol of Scottish exceptionalism and historical grievance. Weak production design weighs down Sophie Laplane's imaginative choreography for Scottish Ballet.  

Sophie Laplane's Mary, Queen of Scots has a lot going for it, visually stunning with a pleasing score, but simplistic and overly rapid storytelling brings it to an underwhelming conclusion.

Resident choreographer Sophie Laplane, star dancer with the company for 13 years before spreading her choreographic wings, takes on Scotland’s most tragic and divisive historical figure

A film and two live performances prove to be an excellent demonstration of Scottish Ballet's diverse talents.

A programme to show that heroism is not just about feats of action and adventure, with Ballet Black's supremely good dancers rising to each challenge.

By the time a rain of multicoloured paper hands floated down from above, a bizarre figure in orange strolled onstage, ignored by everybody, the audience was in love with the whole thing.

A worthwhile addition to the locker of lockdown digital dance.

From whistles to buzzing bees, Scottish Ballet’s October double-bill of Siblio and Emergence delight the Theatre Royal in Glasgow.