En vivo, Video: Buscador de críticas de conciertos de música clásica, ópera, ballet y danza | Steven Sloane

Eine surreal-skurrile aber gesellschaftsunkritische Uraufführung, bei der es reichlich zum Augenaufreißen und -reiben gibt.

Ted Huffmans Neuproduktion präsentiert ganz minimalistisch eine Zauberflöte zwischen Traum und Altersflucht.

A woman, mother and outcast needs to make life choices in a hostile environment.

Mohammed Fairouz’s second opera, The New Prince, premiered in Amsterdam, is directed by Lotte de Beer as a colourful, dizzyingly fast-paced  revue.

At the Grachtenfestival in Amsterdam, director Lotte de Beer presents a trendy and upbeat take on Traviata, unfortunately marred by a dumbed-down arrangement of Verdi’s music.

Accourez au Grand Théâtre de Genève faire un rêve éveillé : de l’excellence du plateau de solistes, des couleurs de l’Orchestre de la Suisse Romande dirigé avec maestria par Steven Sloane, à la rêverie offerte par la mise en scène de Katharina Thalbach, ce Britten là vous déroutera peut-être, mais vous fera rêver sûrement !

Where is the line? Where does the stage end and the audience begin? This is what Australian director Barrie Kosky probes in his production pairing Purcell's Dido and Aeneas with Bartók's Bluebeard's Castle.

During the opening night of Anna Nicole at BAM, I found myself experiencing a case of déjà vu. New York City Opera was electrifying the Howard Gilman Opera House with a work by a living composer featuring the salacious story of a female protagonist whose life was splashed across tabloids, and at one point even featuring an act of fellatio with the disjointed music carrying on in the background.