En vivo, Video: Buscador de críticas de conciertos de música clásica, ópera, ballet y danza | Susann Végh

Löftet verdient mit dieser Botschaft, seinen bezaubernden Arien und großartig mitreißender Musik ein internationales Publikum.

The Kungliga Operan presents a stagnant production of Verdi’s masterpiece, with a competent cast comprised mostly of Swedish singers.

The Royal Swedish Opera produces a new work based on a 1977 novel by Angela Carter, brought to life by composer Jonas S. Bohlin, librettist Torbjörn Elensky and visual artist Ann-Sofi Sidén.

Young soprano Cornelia Beskow impresses as Tatyana in an all-Swedish performance of Tchaikovsky’s masterpiece.

A quasi-concertante setting highlights Theorin's masterful performance as Elektra, Cornelia Beskow's fragile, human Chrysothemis and Katarina Dalayman's haunting Klytaemnestra.

A frightyfully enjoyable world premiere of Victoria Borisova-Ollas first opera, turned into a giant Halloween party, where the Kungliga Operan is invaded by an audience of vampires, emaciated Victorian ladies and sinister characters.

Ragnarök: the Swedish title for Götterdämmerung resonates with Old Norse folk memories of universal inundation and overthow of the order of the gods.

John Lundgren, bullet-headed, youthful and overbearing, gave a world-class performance as Wotan. 

Annilese Miskimmon's production brings to life the sinister, stormy story of Janáček's masterpiece in an Irish setting.