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The Kungliga Operan presents a stagnant production of Verdi’s masterpiece, with a competent cast comprised mostly of Swedish singers.

The Royal Swedish Opera produces a new work based on a 1977 novel by Angela Carter, brought to life by composer Jonas S. Bohlin, librettist Torbjörn Elensky and visual artist Ann-Sofi Sidén.

Young soprano Cornelia Beskow impresses as Tatyana in an all-Swedish performance of Tchaikovsky’s masterpiece.

A quasi-concertante setting highlights Theorin's masterful performance as Elektra, Cornelia Beskow's fragile, human Chrysothemis and Katarina Dalayman's haunting Klytaemnestra.

A frightyfully enjoyable world premiere of Victoria Borisova-Ollas first opera, turned into a giant Halloween party, where the Kungliga Operan is invaded by an audience of vampires, emaciated Victorian ladies and sinister characters.

Ragnarök: the Swedish title for Götterdämmerung resonates with Old Norse folk memories of universal inundation and overthow of the order of the gods.

John Lundgren, bullet-headed, youthful and overbearing, gave a world-class performance as Wotan. 

Annilese Miskimmon's production brings to life the sinister, stormy story of Janáček's masterpiece in an Irish setting.

Löftet verdient mit dieser Botschaft, seinen bezaubernden Arien und großartig mitreißender Musik ein internationales Publikum.