En vivo, Video: Buscador de críticas de conciertos de música clásica, ópera, ballet y danza | Sinfonía núm. 6 en mi bemol menor, Op.111

El violinista griego desarrolla también una carrera como director y junto a la ONE, en su doble faceta, ofreció un concierto lleno de entusiasmo aunque algo falto de control.

La OSG ofreció una velada liderada por la juventud del director y del solista y con un programa en el que destacó la interpretación de la sección de metales.

Thrilling Tchaikovsky, chilling Prokofiev and a discovery filled with sonic imagination mark the return of Osmo Vänskä and Simon Trpčeski to Seattle Symphony.

The pianist enchants the audience with Mozart's Piano Concerto no. 20 in D minor, conducted by Leonidas Kavakos. 

À la direction et au violon, Leonidas Kavakos associe la grâce (chez Mozart) et le drame (chez Prokofiev) dans un concert où la complicité avec Antoine Tamestit et le Philhar' a sauté aux oreilles.

Languid expression in Debussy, exhilarating Tchaikovsky from James Ehnes, and terrifying Prokofiev in a programme of extremes.

Three diverse works written within 15 years of each other, by Kodály, Poulenc and Prokofiev, given with panache by the NDR Elbphilharmonie Orchestra, the amazing Jussen brothers and Stanislav Kochanovsky.

Conductor Emeritus Vladimir Jurowski returns to the London Philharmonic Orchestra, bringing with him some rare jewels such as Paul Hindemith's Violin Concerto. 

Janine Jansen's interpretation of Sibelius' Violin Concerto is a triumph, followed by a powerful reading of Prokofiev's Sixth by Noseda – a thrilling concert to leave the heart racing.

Järvi and the Berliner Philharmoniker also played Prokofiev's rarely performed Sixth Symphony. 

It’s been 97 years since The Cleveland Orchestra performed Frank Bridge’s The Sea, but this weekend’s performance was worth the wait. Paul Dukas’s evergreen The Sorcerer’s Apprentice received a precise and jovial performance.

Three works written in the turbulent years after the end of World War 2 were featured in this dynamic concert with the BBCSO under the baton of Sakari Oramo.

Xian Zhang made her Los Angeles debut in a program of Tchaikovsky, Prokofiev,and Chen Yi.

The muscular piano playing of Nikolai Lugansky could not save the Russian National Orchestra’s shoddy Enescu and Prokofiev.

A pair of Soviet Cold War classics featured in Pietari Inkinen's Budapest debut at Müpa. 

Glowing Tchaikovsky from Barry Douglas coupled with an intelligently driven performance of Prokofiev's Sixth Symphony by the LSO under Thomas Søndergård.

Valery Gergiev is the most committed advocate for Prokofiev, so it is no surprise that in this 125th anniversary year, he is leading the celebrations, programming the symphonies and three string concertos too. Too much?

A very exciting evening at Poole’s Lighthouse with the BSO and artist in residence Sunwook Kim playing Rachmaninov’s Third Piano Concerto together for the first time. 

Gianandrea Noseda, principal guest conductor of the Israel Philharmonic and former chief conductor of the BBC Philharmonic, made his Cleveland Orchestra debut this weekend in works by Rachmaninov and Prokofiev, and the Cleveland première of Nino Rota’s Trombone Concerto, with the orchestra’s principal trombone Massimo LaRosa as soloist. All concerned turned in solid performances.

It’s a fairly poor show that I hadn’t been to a Prom in years. Since it is all online and on the radio, there is the tendency to stay home and listen – but this concert was a reminder of quite how worthwhile it is to attend concerts in person. The power of live musical performance was exemplified by this varied programme, performed in a most varied and adaptive way.

Due to the snow, I arrived to the Barbican too late to catch Stravinsky’s Dumbarton Oaks. However I made it in time for the premiere of Marc-André Dalbavie’s Oboe Concerto (BBC/Borletti-Buitoni Trust co-commission).The concerto is a highly varied piece which displayed some interesting composition techniques and contained a difficult part for the oboe.