En vivo, Video: Buscador de críticas de conciertos de música clásica, ópera, ballet y danza | Sonata para piano núm. 17 en si bemol mayor, K570

Sir Andràs Schiff ofreció un concierto estelar en la primera semana del Festival Internacional de Santander.

A more thoughtful and intentional artist is hard to come by today, and one who graces the Musikverein donning fabulous silver shoes on top of her pianistic gifts must be heaven-sent. 

There are not many classical musicians on the international circuit who could achieve the ‘legend’ status; whose concerts would be attended by adoring fans rushing to the stage at the conclusion of the recital, who would be referred to by a nickname, suggesting an ongoing relationship and familiarity with their fans.

With thought-inspiring programming, Schiff played the penultimate sonatas of Mozart, Haydn, Beethoven, and Schubert.

Étrange filage que celui entendu mercredi dernier à Gaveau. L’on n’a pas rendu le meilleur service à Brahms en faisant succéder son Quintette en fa mineur par Nicolas Stavy et le Quatuor Voce à une performance aussi discutable que celle de Mi Young Lee, dont les contre-sens musicaux et les agaceries n’ont pas laissé intacts Mozart, Liszt et Chopin.

Sir András Schiff is traversing the final three piano sonatas of Haydn, Mozart, Beethoven and Schubert in concerts which celebrate the sonata form and explore the notion of "late style" in relation to these composers.

Der junge amerikanische Pianist Kit Armstrong beeindruckte mit Bach, Sweelinck und eigenen Kompositionen im BASF-Feierabendhaus.

In the cultural oasis of King’s Place, only five minutes from the noisy, bustling King’s Cross and St Pancras stations, British pianist Leon McCawley performed the complete piano sonatas of Mozart in a series of four recitals over one weekend. McCawley’s unassuming manner belies an impressive c.v.