En vivo, Video: Buscador de críticas de conciertos de música clásica, ópera, ballet y danza | Beatrice di Tenda

Dans une mise en scène sage de Peter Sellars, l'œuvre de Bellini, étrangement amputée de certains passages, ne remplit pas tout à fait ses promesses. Elle bénéficie cependant d'une belle distribution. 

The prefab riffs of computer programs like GarageBand aren’t entirely new. As shown by the musicologist Robert Gjerdingen, many 18th- and early 19th-century composers used pedagogical materials as a basis for their compositions, “composing out” passages in creative ways. But this method is not something the ordinary listener is supposed to recognize.