En vivo, Video: Buscador de críticas de conciertos de música clásica, ópera, ballet y danza | Prelude in G major, Op.32 no.5

Maurice Ravel's Daphnis et Chloé and a prelude from Dame Ethel Smyth's opera The Wreckers are heard for the first time in Singapore. 

A recital of two halves for the Moscow-born pianist in her long overdue Carnegie Hall debut. 

An evening of two halves, each demonstrating different facets of conductor, soloist and orchestra in performances of Brahms and Vaughan Williams.   

The Uzbek pianist returns to Kansas City for a wonderful recital including Dilorom Saidaminova’s The Walls of Ancient Bukhara. 

Rachmaninov as composer is still on his reputational journey, which proceeds at different rates for different works and genres. 

Sublime and satirical Russian music served to an appreciative but less than capacity audience at the Anvil. 

Acclaimed Russian pianist Boris Berezovsky opened the 2014 International Piano Series concerts at Southbank Centre with an impressive and absorbing recital of music by Debussy, Ravel and Rachmaninov.

The virtuoso pianist Marc-André Hamelin played a program of works by Bach, Fauré, Ravel and Rachmaninov, bracketed by his own Variations on a theme by Paganini. Last March in Toronto, when Hamelin snuck this piece into the program as an encore, I wrote that it was “ten minutes of the most fun you’ll ever have crowding around a piano at the end of party.

With more than 30 million YouTube channel views, there is simply no doubt that Valentina Lisitsa is already a classical music star to contend with.