| Opera Ballet Vlaanderen | ||
| Alexander Joel | Dirección | |
| David Bösch | Dirección de escena | |
| Christof Hetzer | Diseño de escena, Diseño de vestuario | |
| Koor Opera Vlaanderen | ||
| Symfonisch Orkest Opera Ballet Vlaanderen | ||
| Aušrinė Stundytė | Soprano | Heliane |
| Tómas Tómasson | Bajo | Herrscher (Ruler) |
| Ian Storey | Tenor | Fremder (Stranger) |
| Natascha Petrinsky | Mezzosoprano | Botin (Messenger) |
| Markus Suihkonen | Bajo | Pförtner (Doorman) |
| Denzil Delaere | Tenor | Blinder Schwertrichter (Blind Judge) |
In German with Dutch surtitles.
In Die tote Stadt in 1920, the young Erich Wolfgang Korngold confirmed his status as wunderkind. But with the much lesser known Das Wunder der Heliane, created seven years later, he took his grandiose, late romantic musical language even further.
The opera takes place in a nameless country: a remote and desolate wasteland, subject to its own ruthless laws and regulations. All that adds colour to life has been banned: desire, humour and love. Identity is suppressed, the dictatorship of the Ruler is all that counts. Literally: rien ne va plus! Nothing is allowed anymore. Heliane seems to be the only one to possess any individuality, and this allows her to overcome the power of the Ruler. The only condition appears to be faith in miracle and love.
The production will be directed by David Bösch, whose previous work at Opera Vlaanderen includes Strauss' Elektra and Mozart's Idomeneo. Following a highly successful performance of Richard Strauss' Die Frau ohne Schatten in the 2010-2011 season, first guest conductor Alexander Joel will once again be presenting an early 20th-century work. Soprano Ausrine Stundyte will also return to our stage as a sublime Heliane.
