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Le Grand MacabreNueva producción

Este programa ha pasado
State Opera (Státní opera)Wilsonova 4, Praga, Central Bohemian Region, 110 00, República Checa
Fechas/horas en zona horaria de Prague
Festival: Opera Nova Festival
Intérpretes
Prague State Opera
Jiří RožeňDirección
Richard HeinDirección
Nigel LoweryDirección de escena, Diseño de escena, Diseño de vestuario
Prague State Opera Orchestra
Prague State Opera Chorus
Ondřej HučínDramaturgia
Prague National Theatre Opera Ballet
Thor Inge FalchTenorPiet the Pot
Arnheiður EiríksdóttirMezzosopranoAmando
Magdaléna HebousseSopranoAmanda
Marcus JupitherBarítonoNekrozar
Ivo HrachovecBajoAstradamors
Victoria KhoroshunovaSopranoMescalina
David DQ LeeContratenorPrince Go-Go
Eir InderhaugSopranoChief of the Gepopo, Venus
Benjamín HájekTenorWhite-Party Minister
Michal MarholdBarítonoBlack-Party Minister

György Ligeti’s Le Grand Macabre will be staged in Czech premiere. The one and only opera written by the Hungarian-Austrian composer, a major representative of the 20th-century avant-garde, is a truly remarkable work, one that in many a respect surpasses that which is commonly expected from a piece of this genre. Loosely based on the Belgian dramatist Michel de Ghelderode’s play La balade du grand macabre, Ligeti provocatively branded it “anti-anti-opera”. Le Grand Macabre presents an extremely bizarre apocalyptic vision of a world gone mad, teeming with characters of such telling names as Nekrotzar, Piet The Pot, Clitoria, Spermando … Ligeti’s spectacular operatic fresco, set in a fictitious city bearing an equally telling name, Breughelland, not only shocks by featuring harsh, spine-chilling and perverse images, it is also striking in terms of the score, with the musical idiom encompassing conventional instruments, but also giving scope to a large variety of entirely unprecedented sounds, produced by car-horns, electric doorbells, a sledgehammer, an alarm clock, paper bags, a tray full of crockery, a saucepan, a pistol and other items.

Le Grand Macabre received its world premiere in Stockholm in 1978. Later on, Ligeti made considerable revisions to the opera for a production at the Salzburger Festspiele in 1997.

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