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| Dvořák, Antonín (1841-1904) | Rusalka | Libreto de Jaroslav Kvapil |
| Prague State Opera | ||
| Ondrej Olos | Dirección | |
| Anna Pozidis | Dirección | |
| Zdeněk Troška | Dirección de escena | |
| Milan Ferenčík | Diseño de escena | |
| Josef Jelínek | Diseño de vestuario | |
| Prague State Opera Orchestra | ||
| Jitka Slavíková | Dramaturgia | |
| Dana Morávková | Coreografía | |
| Zuzana Kadlčíková | Dirección de coro | |
| Prague National Theatre Opera Ballet | ||
| Pupils of the Olga Kyndlová Ballet School | ||
| Pueri gaudentes boys’ choir | ||
| Olga Busuioc | Soprano | Rusalka |
| Jana Sibera | Soprano | Rusalka |
| Petra Šimková-Alvarez | Soprano | Rusalka |
| Veronika Rovná | Soprano | Rusalka |
| Evan LeRoy Johnson | Tenor | Prince |
| Aleš Briscein | Tenor | Prince |
| Peter Berger | Tenor | Prince |
| Martin Šrejma | Tenor | Prince |
| Roman Vocel | Bajo | Vodník, the water goblin |
| Zdeněk Plech | Bajo | Vodník, the water goblin |
| Ivo Hrachovec | Bajo | Vodník, the water goblin |
| Jana Sýkorová | Mezzosoprano | Ježibaba, the Witch |
| Andrea Tögel Kalivodová | Mezzosoprano | Ježibaba, the Witch |
| Kateřina Jalovcová | Mezzosoprano | Ježibaba, the Witch |
| Dana Burešová | Soprano | Foreign Princess |
| Tamara Morozová | Soprano | Foreign Princess |
| Jan Ježek | Tenor | Gamekeeper, The Hunter |
| Jiří Hájek | Barítono | Gamekeeper, The Hunter |
| Jiří Brückler | Barítono | Gamekeeper, The Hunter |
| Lenka Pavlovič | Soprano | Kitchen Boy |
| Jarmila Vantuchová | Mezzosoprano | Kitchen Boy |
| Ekaterina Krovateva | Soprano | First Wood Sprite |
| Yukiko Kinjo | Soprano | First Wood Sprite |
| Sylva Čmugrová | Soprano | Second Wood Sprite |
| Markéta Cukrová | Mezzosoprano | Second Wood Sprite |
| Šárka Hrbáčková | Contralto | Third Wood Sprite |
| Alžběta Vomáčková | Mezzosoprano | Third Wood Sprite |
The fruit of the collaboration between the two great creators, Antonín Dvořák and Jaroslav Kvapil, who were close as artists and friends alike, was a magical, dreamy story of the great, unfulfilled desire of the water nymph Rusalka, a work in which Dvořák’s musical genius reached its apex. The fairy-tale atmosphere inspired the composer to create singular, impressionistic music replete with melodic imagination and masterful instrumentation, a suggestive expression of the play of waves and the reflection of moonlight on the surface of a lake, as well as the overwhelming magic of a fairy-tale dream.
Since its premiere in 2005, the production of Rusalka directed by the distinguished Czech film-maker Zdeněk Troška, has been one of the most popular titles performed at the State Opera.
