Mozart, Wolfgang Amadeus (1756-1791) | Las bodas de Fígaro (Le nozze di Figaro) | Libreto de Lorenzo Da Ponte |
Prague National Theatre Opera | ||
Julia Jones | Dirección | |
Barbora Horáková | Dirección de escena | |
Falko Herold | Diseño de escena | |
Nicole von Graevenitz | Diseño de vestuario | |
Ivo Dankovič | Diseño de iluminación | |
Prague National Theatre Orchestra | ||
Prague National Theatre Chorus | ||
Ondřej Hučín | Dramaturgia | |
Jan Adam | Coreografía | |
Prague State Opera | ||
Lukáš Bařák | Bajo-barítono | Figaro |
Ekaterina Krovateva | Soprano | Susanna |
Pavol Kubáň | Barítono | Count Almaviva |
Barbora Perná | Soprano | Countess Almaviva |
Barbora Řeřichová | Soprano | Countess Almaviva |
Jarmila Balážová | Mezzosoprano | Cherubino |
Tomas Selc | Bajo | Doctor Bartolo |
Pavel Švingr | Barítono | Doctor Bartolo |
Ivo Hrachovec | Bajo | Antonio |
Kateřina Jalovcová | Mezzosoprano | Marcellina |
Jana Horáková Levicová | Mezzosoprano | Marcellina |
Josef Moravec | Tenor | Don Basilio |
Marie Šimůnková | Soprano | Barbarina |
Peter Malý | Tenor | Don Curzio |
One of Mozart’s best-known works, Le nozze di Figaro ranks among the most frequently performed operas of all time. Splendidly portraying characters and superbly depicting the relationships between the protagonists, who often find themselves in thorny situations, it provides a more accurate account of late 18th-century morality and immorality than many a history book.
Le nozze di Figaro premiered in Vienna on 1 May 1786, with Mozart only completing the prelude two days previously.The first two performances were conducted by the composer himself, seated at and playing the harpsichord. Six months later, the opera was staged in Prague, where it was a resounding success, with the audience responding with enormous ovations. In the wake of this triumph, Mozart accepted from Prague a commission for a new opera, which would become the famous Don Giovanni (premiered in 1787 at the Estates Theatre).