Benjamin, Sir George (n. 1960) | Picture a day like this | Libreto de Martin Crimp |
Sir George Benjamin | Dirección | |
Daniel Jeanneteau | Dirección de escena, Diseño de escena, Diseño de iluminación | |
Marie La Rocca | Diseño de vestuario | |
Marie-Christine Soma | Diseño de iluminación, Dirección de escena, Diseño de escena | |
Mahler Chamber Orchestra | ||
Hicham Berrada | Videoarte | |
Beate Mordal | Soprano | Lover 1/Composer |
Anna Prohaska | Soprano | Zabelle |
Marianne Crebassa | Mezzosoprano | Woman |
John Brancy | Barítono | Artisan/Collector |
Cameron Shahbazi | Contratenor | Lover 2/Composer's Assistant |
An ordinary day. A terrible event. The death of her infant child sets in motion one woman’s search for a life-restoring miracle. All she needs to do – in the course of a single day – is find one genuinely happy human being. But when every encounter, however promising, ends in disappointment, she turns finally to the mysterious Zabelle, owner and creator of a magnificent garden. Eleven years after the historic success of Written on Skin, George Benjamin returns to the Festival with a new opera in one act: a universal tale with moving colours, where the flow of music follows the flow of life; an initiatory fable on human nature and self-discovery. For the fourth time, he reunites with Martin Crimp, his faithful author; Daniel Jeanneteau and Marie-Christine Soma are the stage directors, and with video design by Hicham Berrada. The composer himself conducts five magnificent young singers – including Marianne Crebassa – and the Mahler Chamber Orchestra, which celebrates its 25th anniversary on this occasion.