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OsloOrpheus in the Underworld

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Offenbach: Orphée aux enfers (Orpheus in the Underworld)
Johannes Gustavsson; Vidar Magnussen; Norwegian National Opera; Gjermund Andresen; Ingrid Nylander; Torkel Skjærven; Norwegian National Opera Orchestra
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Innocence: Saariaho’s final opera receives New York premiere

Joyce DiDonato (the Waitress) and Vilma Jää (Markéta) © Karen Almond | Met Opera
At the Metropolitan Opera, Innocence proves a gripping and perhaps divisive piece which feels real because it is a reflection of our reality, with no realistic hope of finding peace. 

Crebassa bouleverse l'Opéra-Comique dans Picture a day like this

Marianne Crebassa dans Picture a day like this à l'Opéra-Comique © S. Brion
Le dernier opéra de George Benjamin (créé à Aix-en-Provence en 2023) remporte un triomphe mérité, emmené par une Marianne Crebassa au sommet de son art.

Intriguing, mysterious, intense: Picture a day like this at the ROH

Ema Nikolovska (Woman) and John Brancy (Artisan) © ROH | Camilla Greenwell
Sir George Benjamin and Martin Crimp’s new chamber opera receives a powerful UK premiere in the Linbury Studio at Covent Garden. 

Lessons in grief: Picture a day like this triumphs in Aix

Marianne Crebassa (The Woman) © Jean-Louis Fernandez
Sir George Benjamin and Martin Crimp’s fourth opera shares the best qualities of their previous work but is an inspiring, breathtaking fable.

Urgent and intense: Innocence opens at the Royal Opera House

Vilma Jää (Markéta) and Jenny Carlstedt (Waitress) © ROH | Tristram Kenton
Kaija Saariaho's opera – staged by Simon Stone and the hit of the 2021 Aix-en-Provence Festival – makes its UK debut.

Innocence à Aix-en-Provence : Saariaho cultive le secret

La nouvelle création de Kaija Saariaho est une grande œuvre musicale mal servie cependant par une mise en scène façon Netflix de Simon Stone.