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Intérprete: Alexander Berlage

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© Pia Johnson
Woodward: Duck Pond
Yaron Lifschitz; Libby McDonnell; Alexander Berlage; Rani Luther

SídneySemele

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Handel: Semele
Erin Helyard; Neil Armfield; Pinchgut Opera; Alexander Berlage; Orchestra of the Antipodes; Cantillation; Eugene Lynch
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An acrobatic Orpheus and Eurydice in Edinburgh

Orpheus and Eurydice © Jess Shurte
The music plays second fiddle to Australian circus company Circa in Yaron Lifschitz’s production of Gluck's great opera. 

Total drama in Orpheus and Eurydice at Opera Australia

Christophe Dumaux (Orpheus) and Sandy Leung (Eurydice) © Keith Saunders
Man of the circus Yaron Lifschitz gives Orpheus and Euridice the Gesamtkunstwerk treatment in his involving production that arrives from Brisbane. 

A triptych of loss from Sydney Chamber Opera

Emily Edmonds in Quatre Instants © Daniel Boud
Monodramas by Francis Poulenc, Kaija Saariaho and Jack Symonds feature in a triple bill on the themes of love, loss and absence. 

Trilogy: a brilliantly diverse triple bill

Mia Heathcote as Syb, Laura Tosar as Bylla and Victor Estévez as Harry in My Brilliant Career © David Kelly
Cathy Marston’s My Brilliant Career premieres in Brisbane within a diverse triple bill that shows off Queensland Ballet's versatility.

Blinding ice: Finsterer's frozen Antarctica at the Sydney Festival

Antarctica © Wendell Teodoro
Gorgeous music by Mary Finsterer and an evocative setting by Elizabeth Gadsby transport you to the ends of the earth.

Britten's Canticles awakened at Sydney Chamber Opera

Awakening Shadow © Zan Wimberley
Luke Styles' interludes to the Canticles may not set the musical world alight in Awakening Shadow, but they provide the perfect excuse to perform Britten's remarkable works.