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StuttgartThe Gambler
Prokofiev: El jugador
Rotem Nir; Axel Ranisch; Staatsoper Stuttgart; Saskia Wunsch; Claudia Irro; Valentin Däumler; Staatsorchester Stuttgart
HamburgRuslan and Lyudmila
Glinka: Ruslan and Lyudmila
Azim Karimov; Alexandra Szemerédy; Staatsoper Hamburg; Bernd Gallasch; Philharmonisches Staatsorchester Hamburg
MúnichMazeppaNueva producción
Chaikovskiï: Mazeppa
Daniele Rustioni; Dmitri Tcherniakov; Bayerische Staatsoper; Timur Zangiev; Elena Zaytseva; Gleb Filshtinsky
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Las aguas estancadas de Lady Macbeth de Mtsenk
Àlex Ollé regresa para inundar el mundo de Katerina Ismailova; un recorrido de una muerte en vida de una protagonista envuelta por el vacío.
Prokofiev’s The Gambler: an inevitable musical descent into obsession
Prokofiev’s propulsive score and Igor Onishchenko’s compelling Alexei drive this unsettling portrait of gambling obsession, despite some disappointing staging at Wexford Festival Opera.
A thrilling Slavic Iolanta from Chișinău
Young voices shine in Tchaikovsky's last opera in a new and rustic updating by Moldovan director Slava Sambriș.
Fate as ritual: Enescu’s Œdipe at the Bucharest National Opera
Visual symbolism and musical ambition in a production at the George Enescu International Festival.
Über allem schweben die Walzer: Krieg und Frieden in München
Prokofjews Tolstoi-Veroperung kann an der Bayerischen Staatsoper dank kluger Regie durch Dmitri Tcherniakov und phänomenalem Dirigat von Vladimir Jurowski auch in aktuell belastendem politischen Umfeld überzeugen.
McGregor takes Stravinsky's rituals to desolate and cruel lands
McGregor's new creation for the Milanese company imagines Les Noces as a sequel to his take on The Rite of Spring.
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WexfordThe GamblerNueva producción
Prokofiev: El jugador
Valentin Uryupin; Ivan Popovsky; Wexford Festival Opera; Maria Tregubova; Paolo Bonapace; Orchestra of Wexford Festival Opera