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Intérprete: Ambur Braid

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VienaDer fliegende HolländerNueva producción

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Wagner: Der fliegende Holländer (El holandés errante)
Robert Jindra; Philipp Stölzl; MusikTheater an der Wien; Ursula Kudrna; Wiener Symphoniker

LyonSaloméNueva producción

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Strauss R.: Salomé
Constantin Trinks; Calixto Bieito; Opéra de Lyon; Anna-Sofia Kirsch; Paula Klein; Michael Bauer; Orchestre de l'Opéra de Lyon
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El éxito de un icono: Diálogos de carmelitas en Les Arts

© Miguel Lorenzo & Mikel Ponce | Les Arts
Diálogos de carmelitas entra a formar parte de los hitos programados por el Palau de Les Arts, de la mano de Robert Carsen y Riccardo Minasi.

Gustavo Gimeno and the TSO give Beethoven’s Ninth the grand treatment

Golda Schultz, Ema Nikolovska, Saimir Pirgu and Jongmin Park © Allan Cabral | Courtesy of the Toronto Symphony Orchestra
Gustavo Gimeno and the TSO give a performance that’s both carefully thought out and very grand, aided by excellent soloists and the huge Toronto Mendelssohn Choir.

Frauenliebe und -sterben: Kratzer’s triple bill at Staatsoper Hamburg

Annika Schlicht (Judith), Johan Reuter (Bluebeard) and Bluebeard's wives (including Kate Lindsey) © Matthias Baus

Director Tobias Kratzer engineers a haunting pasticcio of Schumann, Bartók and Zemlinsky, tracing the domestic sphere’s shift from romantic surrender to the blood-soaked secrets of a century-spanning house.

Barrie Kosky directs a ferocious new Lady Macbeth of Mtsensk

Ambur Braid (Katerina Izmailova) © Monika Rittershaus
Shostakovich's opera is laid bare in Berlin, to devastating effect, with a distinguished cast led by Ambur Braid. 

COC triumphs with Kentridge’s brilliantly conceived Wozzeck

Ambur Braid (Marie) © Michael Cooper
William Kentridge's production of Berg’s Wozzeck has it all: wonderfully imaginative and disturbing designs, terrific acting and singing plus fabulous orchestral playing. 

Wozzeck, cobaye sous surveillance selon Richard Brunel à Lyon

Wozzeck à l'Opéra de Lyon © Jean-Louis Fernandez
Formidable dans le rôle-titre, Stéphane Degout emmène une très belle distribution, sous la baguette excellente de Daniele Rustioni et dans une mise en scène intelligente signée Richard Brunel.