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NYCB's Andrew Veyette passes the torch with grace
A joyful, very gracious finale for a highly respected and loved principal dancer at NYCB. Andrew Veyette bows out with dignity and humility.
Falling for Kyle Abraham, again, at New York City Ballet
When We Fell, Kyle Abraham’s bracing new piece for NYCB, made a minimalist statement on a maximalist quadruple bill, also notable for stunning ensemble work in Alexei Ratmansky's Odesa.
Wheeldon transcendent in a joyful triple bill at NYCB
A winning mixed bill at New York City Ballet, featuring three stylistically and conceptually very different works, yielded many gems.
Maria Tallchief celebration honors her contributions
Last night’s New York City Ballet program gave you an idea of Tallchief’s versatility and depth in a fitting tribute to her great talent.
New York City Ballet nods to Jerome Robbins as winter season opens
Some great and some lacklustre performances in the Jerome Robbins triple bill on opening night of New York City Ballet's winter season – and a missed opportunity.
NYCB: 75th anniversary program is an appealing, popular nod to history
New York City Ballet marked its 75th anniversary with the same triple bill that caused so much excitement at City Center in 1948: Orpheus, Concerto Barocco and Symphony in C.