New York City Ballet nods to Jerome Robbins as winter season opens

Sebastian Villarini-Vélez, Emma Von Enck, Devin Alberda, NYCB in Jerome Robbins’ The Four Seasons

Tiler Peck and Roman Mejia in Jerome Robbins’ The Four Seasons

Alec Knight and Olivia MacKinnon in Jerome Robbins’ In the Night

Jovani Furlan, Joseph Gordon and Daniel Ulbricht in Jerome Robbins’ Fancy Free

Por Carla Escoda, 24 enero 2024

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“in which every character was shivering while echappé-ing, with broad smiles on their faces”

Crítica hecha desde Lincoln Center: David H Koch Theater, Nueva York el 23 enero 2024

Fancy Free (Jerome Robbins)

In The Night (Jerome Robbins)

The Four Seasons (Jerome Robbins)

New York City Ballet

Oliver Smith, Diseño de escena

Kermit Love, Diseño de vestuario

Ronald Bates, Diseño de iluminación

Anthony Dowell, Diseño de vestuario

Jennifer Tipton, Diseño de iluminación

Santo Loquasto, Diseño de escena, Diseño de vestuario

Emma Von Enck, Bailarín

Emilie Gerrity, Bailarín

Adrian Danchig-Waring, Bailarín

Indiana Woodward, Bailarín

Anthony Huxley, Bailarín

Tiler Peck, Bailarín

Roman Mejia, Bailarín

KJ Takahashi, Bailarín

Olivia MacKinnon, Bailarín

Alec Knight, Bailarín

Unity Phelan, Bailarín

Andrew Veyette, Bailarín

Sara Mearns, Bailarín

Tyler Angle, Bailarín

Daniel Ulbricht, Bailarín

Joseph Gordon, Bailarín

Jovani Furlan, Bailarín

Mary Thomas MacKinnon, Bailarín

Alexa Maxwell, Bailarín

Malorie Lundgren, Bailarín

El ballet neoclásico viste de gala al Teatro Real:

Cintia Borges Carreras, 26th January

Un reducido número de integrantes del Ballet de l’Opéra National de Paris ha presentado en el Real un programa de obras cortas y han danzado más allá de la técnica, mostrando el cuerpo que siente el movimiento y baila.

****1

Anhelos, tormentos y divertimentos con la Compañía Nacional de Danza

Eduardo López-Collazo, 22nd July

La Compañía Nacional de Danza propuso un delicado programa que recorre los puntos fuertes de la agrupación en el Teatro Real, y donde la elección estrella fue In the nigth de Jerome Robbins.

***11

Tiler Peck’s Symphonie Espagnole for NYCB is sprawling and ambitious

Ivy Lin, 9th May

A triple bill including Tiler Peck’s newest ballet for NYCB, does not entirely work. Too much blue light and sadness for one program.

***11

Understatement and spectacle at New York City Ballet

Carla Escoda, 26th February

Jerome Robbins' Dances at a Gathering and George Balanchine's Diamonds make a study in contrasts. With lots of debuts in the former and seasoned leads in the latter.

*****

Irresistible: Justin Peck’s The Wind-Up premieres at NYCB

Carla Escoda, 29th January

Never has Justin Peck seemed more compositionally assured, and paradoxically freer, than in his latest ballet, breaking the mold of past work that mostly celebrated the camaraderie of his generation.

****1

Dutch National Ballet's opener in New York: meandering and unfocused

Ivy Lin, 20th November

Dutch National Ballet returning to New York after more than 40 years should have been thrilling. The opening program, whilst beautifully danced, was somewhat muted.

***11

Más críticas...

Carla Escoda

Born in the Philippines, Carla trained as a ballet and modern dancer with the Alice Reyes Dance Company in Manila. She has lived and worked in Asia and the U.S. and has written about the arts for Bachtrack, KQED (the northern California public media broadcaster), Dance International, dance journal/hk, the Huffington Post, Dance Europe and ballettothepeople.