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Good vibrations: Robbins, Balanchine and Bach at New York City Ballet
Concerto Barocco and The Goldberg Variations make an unbeatable, timeless pairing at New York City Ballet.
Contrasting splendors at New York City Ballet: Robbins and Balanchine
A sublime Robbins-Balanchine pairing at New York City Ballet, it was Robbins’ Goldberg Variations that came off best.
Savoring the glories of a timeless all-Balanchine program with NYCB
NYCB's triple bill that harks back to the 1950s proves a love letter to an America that never was.
New York City Ballet: Midsummer comes early, uneven yet thrilling
Balanchine's much-loved yet maddeningly disjointed A Midsummer Night's Dream returns to New York City Ballet. Some glorious performances on opening night, some uneven. But the night belonged to the bugs.
Falling for Kyle Abraham, again, at New York City Ballet
When We Fell, Kyle Abraham’s bracing new piece for NYCB, made a minimalist statement on a maximalist quadruple bill, also notable for stunning ensemble work in Alexei Ratmansky's Odesa.
Wheeldon transcendent in a joyful triple bill at NYCB
A winning mixed bill at New York City Ballet, featuring three stylistically and conceptually very different works, yielded many gems.