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New York City Ballet: Midsummer comes early, uneven yet thrilling
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Balanchine's much-loved yet maddeningly disjointed A Midsummer Night's Dream returns to New York City Ballet. Some glorious performances on opening night, some uneven. But the night belonged to the bugs.
Falling for Kyle Abraham, again, at New York City Ballet
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When We Fell, Kyle Abraham’s bracing new piece for NYCB, made a minimalist statement on a maximalist quadruple bill, also notable for stunning ensemble work in Alexei Ratmansky's Odesa.
Wheeldon transcendent in a joyful triple bill at NYCB
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A winning mixed bill at New York City Ballet, featuring three stylistically and conceptually very different works, yielded many gems.