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LondresChineke! Orchestra: Arabic Symphony

Coleman, Alhay, Ravel, Roustom, The Ayoub Sisters
Chineke! Orchestra; Fawzi Haimor; Armand Djikoloum; Axelle Fanyo
LondresToscaNueva producción

Puccini: Tosca
Ben Glassberg; Annilese Miskimmon; English National Opera; Rosanna Vize; Evie Gurney; Lee Curran; English National Opera Orchestra
MúnichBeethoven: Symphony no. 9

Beethoven: Sinfonía núm. 9 en re menor "Coral", op. 125
Munich Philharmonic Orchestra; Maxime Pascal; Axelle Fanyo; Anna Lucia Richter; Léo Vermot-Desroches; Stéphane Degout
ToulouseVerdi, Requiem / Le Cercle de l’Harmonie, Jérémie Rhorer, Orfeón Donostiarra

Verdi: Messa da Requiem
José Antonio Sainz Alfaro; Le Cercle de l'Harmonie; Orfeón Donostiarra; Jérémie Rhorer; Axelle Fanyo
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Hoffmanns Erzählungen an der Volksoper Wien: Sprechstunde mit der Muse

Lotte de Beer schickt in ihrer Inszenierung Hoffmann zur Therapie – vergeblich. Musikalisch überzeugen vor allem die Frauen.
Ariadne in Rome: David Hermann’s Strauss staging highlights contrasts

In an opera rarely staged in Italy, David Hermann skilfully masters the metatheatrical challenges posed by the libretto to Ariadne auf Naxos.
Les péchés capiteux d'Axelle Fanyo et Fleur Barron à l'Athénée

Les deux chanteuses ont proposé un panorama innovant des sept péchés capitaux à travers les styles et les cultures, avec la complicité unificatrice de Julius Drake au piano.
Peter Sellars directs Italian debut of Kaija Saariaho’s Adriana Mater

This co-production, previously seen in San Francisco, is more of a semi-staging, convinces thanks to committed performances from a cast led by Fleur Barron.
Justice in Geneva: musically appealing but missing its mark

Director Milos Rau, composer Hèctor Parra and librettist Fiston Mwanza Mujila put the operatic spotlight on the fight for justice after a mining disaster in the DRC, with mixed results.
La Turangalîla décousue de Salonen et l'Orchestre de Paris

Sous la direction du chef finlandais, l'œuvre monumentale d'Olivier Messiaen a eu du mal à retenir l'intérêt, après une belle prestation d'Axelle Fanyo et de l'Orchestre de Paris en première partie.
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Nueva YorkSongStudio 2019: Hartmut Höll Master Class: Wolf’s “Verborgenheit” from Mörike-Lieder

Wolf: Mörike-Lieder, no. 12: Verborgenheit
Axelle Fanyo; Adriano Spampanato; Hartmut Höll
Nueva YorkSongStudio 2019: Hartmut Höll Master Class: Brahms’s “Wie Melodien zieht es mir”

Brahms: Wie Melodien zieht es mir (As If Melodies Were Moving), Op.105 no.1
Axelle Fanyo; Adriano Spampanato; Hartmut Höll
Latest articles
New season at LSO St Luke’s offers a myriad of concert series

The London concert venue offers a range of concert series this year, featuring Richard Strauss, Baroque composers, Spanish composers, as well as a variety of free concerts, and concerts for children.
