Intérprete: Barbara Hannigan

The Canadian soprano and conductor fuses live performance and video in a taut, volatile account of Poulenc’s punch-packing monodrama with the New York Philharmonic, sharing the bill with Strauss’ valedictory Metamorphosen. 

At the Barbican, Laura Bowler's new work for Barbara Hannigan translates Han Kang's novel into a soundscape of icy stillness

Works by Crumb, Ruggles, Barber and Gershwin offer four distinct ideas of what American music can sound like in Barbara Hannigan’s explorative Cleveland Orchestra program.

The Royal Concertgebouw Orchestra puts Persian music centre stage with the Dutch premiere of Tehran-based composer Golfam Khayam's I am a tale not to be told. 

Tissant un passionnant fil rouge entre des pièces de Scelsi et le Stabat Mater de Pergolèse, Castellucci recompose un livre d’images et de musique grâce à des tableaux vivants saisissants.

Dans la tragédie lyrique de Poulenc, la soprano et cheffe subjugue, parvenant à tirer de l'orchestre un son luxuriant tout en incarnant à la perfection l'universalité de la souffrance amoureuse.

Setting texts by Nobel prize winning author Han Kang, this new work by British composer Laura Bowler for soprano and large orchestra is an emotionally charged exploration of mourning and longing.

Canadian soprano and conductor Barbara Hannigan and US jazz pianist and composer Herbie Hancock, together with British rock band Queen, join an illustrious list group of musicians to win the Swedish prizes.

Barbara Hannigan talks about her relationship with Boulez, on singing Pli selon pli, and returning to the London Symphony Orchestra to conduct two programmes this season.