
Lawrence Dunn
Mostrando 50 de 51 artículos

10 feb 2023
El día a día de una bailarina: entrevista con Deborah Weiss

30 ene 2023
Tár ilustra la vida orquestal en Alemania

28 may 2026
Mongrel sensibilities: Early music in Italy

Mánchester
12 may 2026
Reality television: ENO’s Angel’s Bone in Manchester

13 may 2026
Diversity and recovery: Early music in Croatia

01 may 2026
Kith and kin: Brett Dean and family prepare Of One Blood

20 mar 2026
Cosmopolitan commonwealths: Natalia Olczak on Early music in Poland

18 mar 2026
Medieval survivors: Irini Bilini Moraiti on Early music in Greece

10 mar 2026
Manchester’s Bridgewater Hall and beyond

15 ene 2026
All in the family: Flanders Symphony’s new chief Martijn Dendievel

02 ene 2026
Dinosaurs of the Baroque: discovering Les Dinos et l’Arche

17 dic 2025
The magical world of composers’ handwriting

03 nov 2025
Stylus fantasticus: Vojtěch Jakl on Early music in Czechia

14 oct 2025
Routes beyond: Junyan Chen on curating Leeds Chamber Series

09 oct 2025
Fresh sounds: RNCM’s Inspirational Artists series

Amberes
23 ago 2025
Dramas of imagination: Ensemble Micrologus and Per-Sonat in Antwerp

Amberes
22 ago 2025
Smearing and sliding: Huelgas Ensemble at Laus Polyphoniae

22 ago 2025
Behind the scenes of Japan’s oldest orchestra: the Tokyo Philharmonic

17 jun 2025
Making waves at the Hallé: Euan Shields

26 mar 2025
Looking for Thomas Adès in the Aquifer

25 mar 2025
Sun, fish, pigs and children: Borealis 2025

07 mar 2025
Darkness and pathos: Ravel’s Concerto for the Left Hand


19 dic 2024
Dances and mountains: Cristian Sandrin’s new Goldberg Variations

06 dic 2024
Sensuality and modern music: Barbara Hannigan

19 sep 2024
Alternative future sonic worlds: Ultima Oslo

29 may 2024
Something completely different: the Muziekgebouw aan ’t IJ

Tartu
28 abr 2024
Oceanic swells, orchestral tangles: Baltic & Estonian Music Days

Tartu
27 abr 2024
Tombs, elegies and ruins: Baltic & Estonian Music Days

Tartu
26 abr 2024
Solemn rites and fractured chants open Estonian Music Days in Tartu

08 mar 2024
Deadly playful: eight new works from women composers in 2024

07 mar 2024
Composition as learning: Cassandra Miller

09 feb 2024
Contests of power and imagination: DNO’s The Shell Trial

29 nov 2023
Glimpses of future classical music at Concertgebouw Bruges

04 sep 2023
Singing at the edge: inside the BBC Singers

18 ago 2023
Sharp drop in A Level Music entrants reflects wider declines


Mánchester
07 jul 2023
Wildly varying quality at Manchester International Festival


Dundalk
17 jun 2023
Aloofness, sincerety, montage: Esposito Quartet plays Crane and Shaw

Dundalk
16 jun 2023
Loneliness and togetherness: Chamber Choir Ireland in Dundalk

28 may 2023
A survivor from Transylvania: the life of György Ligeti

26 may 2023
With pipes, drums and fiddles: a Ligeti playlist

14 abr 2023
Against the status quo: the music of Johanna Beyer

31 mar 2023
Pressure and intoxication: the Donatella Flick Conducting Competition

09 mar 2023
BBC announces closure of BBC Singers, redundancies at orchestras

08 mar 2023
Eight women composers to watch

17 feb 2023
Breaking the cage from the inside: Dutch National Opera’s Animal Farm

06 ene 2023
Arvo Pärt: music for humanity

24 nov 2022
The Dawn Has Risen: a playlist of Ukrainian music

08 nov 2022
Coming together: a playlist for the US election

04 nov 2022
Contemporary music sliced by Arts Council England’s knife

02 nov 2022
Vimbayi Kaziboni: Music to change your life
