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BudapestKacsóh: John the Valiant
Kacsóh: János Vitéz (John the Valiant)
Dániel Erdélyi; Máté Szabó; Hungarian State Opera; Balázs Horesnyi; Anni Füzér; Hungarian State Opera Orchestra; Hungarian State Opera Chorus
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Fine voices, staid production: Rigoletto at Hungarian State Opera
Attila Mókus's dramatic baritone was scornful at one moment, tender, distressed, vengeful, or broken in mourning at others, vocal signposts in Rigoletto’s descent into the hell of his own making.
Epic swing and miss: Boris Godunov opens at Hungarian State Opera
András Almási-Toth production of the original version of Mussorgsky's historical epic underwhelms in Budapest.
Hungarian State Opera delightfully revamps L’incoronazione di Poppea
Monteverdi’s last opera, recomposed by Máté Bella for a modern orchestra and a jazz combo, is an over-the-top, glitzy romp with plenty of casual sex and even more casual violence.
Szinetár lets the laughs rule in Hungarian Magic Flute
The Hungarian State Opera's revival of The Magic Flute lacks a little magic.
A powerful gale of sound in Budapest's Dutchman
The battle of the choirs is a thrilling moment in just about any performance of Dutchman, but produces shock and awe in the live acoustics of Budapest's Bartok Bela Concert Hall.
Un ballo glitters but doesn’t ignite in Budapest
The acting was patchy and the singing ranged from serviceable to laudable in this dazzling new production at the Budapest Spring Festival.