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Cavalleria rusticana et Pagliacci à La Monnaie : une réussite
Sérieuse et sans condescendance, profitant d'un plateau vocal de premier plan, la mise en scène de Damiano Michieletto séduit le public bruxellois.
Inside the mind of the Moor with Thalheimer's Otello in Antwerp
The unclear ideas and the excessive blackness in Thalheimer’s concept failed to convince, but Stoyanov and Joel’s presentation of Verdi’s score made up for those problems.
A Turandot without a happy ending
Roberto De Simone's staging evokes a fabulous out-of-time China, and perfectly accompanies the majesty of Puccini’s last and unfinished opera. De Simone chooses to stop the opera at the point of Puccini's death, without Franco Alfano's finale.