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Intérprete: Charles Owen

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LondresClassical Pride - with Charles Owen & Charlie Lovell‑Jones

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Britten, Higdon, Ravel, Szymanowski, Poulenc, Ysaÿe, Chaikovskiï
Charles Owen; Charlie Lovell-Jones

StandishCharles Owen Piano Recital

Three Choirs Festival
Chopin, Schumann, Janáček, Frances-Hoad, Schubert
Charles Owen, Piano

LondresIMS Prussia Cove

Wigmore Hall
Saint-Saëns, Fauré, Meyer, Dvořák
IMS Prussia Cove; Bogdan Božovic; Charlotte Spruit; Amira Abouzahra

LondresDivisions & Visions

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Benjamin, Messiaen
Charles Owen; Katya Apekisheva; Sir George Benjamin; Donald Macleod

LondresMozart Piano Gala

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Mozart
Charles Owen; Katya Apekisheva; Junyan Chen; Martin James Bartlett
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La sonate dans tous ses états : Hadelich et Owen à Verbier

De Beethoven à Ravel avec un écart vers Perkinson, le violoniste et le pianiste ont proposé un récital varié et toujours maîtrisé.

A musical journey spanning three centuries with The Hallé

An enjoyable and vivid performance representing music spanning three centuries of history

Impressive line-up at the London Piano Festival

Still only in its second year, the London Piano Festival has already established itself as a major player in the capital’s music scene.

A feast of phenomenal pianism

A remarkable evening of exceptionally fine pianism and inventive programming, featuring seven of the UK's leading pianists in rich and varied repertoire.

Good Morning, Marylebone! Chloë Hanslip and Charles Owen at Wigmore Hall

Another lazy Sunday morning means another quality chamber concert for the Wigmore Hall cognoscenti. This week, their complimentary sherry was served with a cocktail of violin and piano duets, mixing the contrasting flavours of Pärt, Schubert and Richard Strauss, courtesy of child-prodigy-turned-twentysomething virtuoso Chloë Hanslip and established pianist Charles Owen.

Pianists Charles Owen and Katya Apekisheva at Kings Place

Pianists Charles Owen and Katya Apekisheva presented a lively recital programme in what might be better described as ‘an orchestral concert for two pianos’; such was the range of sounds the two were able to conjure from their instruments.Milhaud’s Scaramouche Suite was a frothy, joyful opener, as one might expect from a member of ‘Les Six’ in a work based on theatrical music.