Good Morning, Marylebone! Chloë Hanslip and Charles Owen at Wigmore Hall

De Beethoven à Ravel avec un écart vers Perkinson, le violoniste et le pianiste ont proposé un récital varié et toujours maîtrisé.

An enjoyable and vivid performance representing music spanning three centuries of history

Still only in its second year, the London Piano Festival has already established itself as a major player in the capital’s music scene.

A remarkable evening of exceptionally fine pianism and inventive programming, featuring seven of the UK's leading pianists in rich and varied repertoire.

Pianists Charles Owen and Katya Apekisheva presented a lively recital programme in what might be better described as ‘an orchestral concert for two pianos’; such was the range of sounds the two were able to conjure from their instruments.Milhaud’s Scaramouche Suite was a frothy, joyful opener, as one might expect from a member of ‘Les Six’ in a work based on theatrical music.

La Sinfónica de Galicia estrenaba en España Four Iberian Miniatures del compositor Francisco Coll, la violinista Chloë Hanslip se erigió en auténtica protagonista de la interpretación de esta obra ecléctica y dinámica. Hanslip continuó en el escenario con el concierto de Britten, para dar paso a otra obra llena también de desolación, la despedida sinfónica de Shostakovich.