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PragaNabucco
Verdi: Nabucco
Hermann Bäumer; Tomáš Ondřej Pilař; Prague National Theatre Opera; Anna Pozidis; Andriy Yurkevych; Petr Vítek; Dana Haklová
PragaCarmen
Bizet: Carmen
Zbyněk Müller; Grischa Asagaroff; Prague National Theatre Opera; Rastislav Štúr; Luigi Perego; Daniel Tesař
PragaAvant-Garde
Richter, Haubrich, Martinů
Robert Bondara; Jiří Kylián; Marco Goecke; The Czech National Ballet; Jaroslav Kyzlink; Diana Marszałek; Martyna Kander; Daniel Tesař
PragaThe Sun, the Moon and the Wind
Acher: The Sun, the Moon and the Wind
Viktor Konvalinka; The Czech National Ballet; Štěpán Benyovszký; Martin Černý; Bregje van Balen; Daniel Tesař
BrnoThe Cunning Little Vixen
Janáček: The Cunning Little Vixen
Tomáš Netopil; Jiří Heřman; Janáček Opera NTB; Dragan Stojčevski; Alexandra Grusková; Daniel Tesař; ORF Radio-Symphonieorchester Wien
PragaThe Sun, the Moon and the Wind
Acher: The Sun, the Moon and the Wind
Viktor Konvalinka; The Czech National Ballet; Štěpán Benyovszký; Martin Černý; Bregje van Balen; Daniel Tesař
Últimas críticasVer más...
Avant-Garde: an eclectic triple bill in Prague
A tremendous triple bill comprising Jiří Kylián's 27’52” and two new works by Robert Bondara and Marco Goecke. The programme unfolds as a meditation on transience, instability and the unpredictability of human life.
A politically charged new Manon in Prague
Puccini's classic takes on a harsh contemporary edge in a dark treatment by director Sláva Daubnerová at Prague's National Theatre.
Nabucco in Prague: handsome but over-ambitious
Andriy Yurkevych leads a rousing musical performance, but this visually impressive Nabucco tries to hard to be relevant and misses the mark.
A muddled new Ariadne auf Naxos in Prague
Fine vocal and musical performances can't overcome Sláva Daubnerová's staging which misses the mark.
Grischa Asagaroff directs a wayward new Carmen in Prague
All the energy is in the pit in this flat production of a time-honored favorite.
Unbearable injustice: Prague State Opera's hard-hitting Butterfly
Jiři Herman’s staging is authentically Japanese and focuses on the deliberate injustice of Butterfly's treatment, with strong performances in the lead roles.