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Contrasting splendors at New York City Ballet: Robbins and Balanchine

A sublime Robbins-Balanchine pairing at New York City Ballet, it was Robbins’ Goldberg Variations that came off best.
NYCB's Andrew Veyette passes the torch with grace

A joyful, very gracious finale for a highly respected and loved principal dancer at NYCB. Andrew Veyette bows out with dignity and humility.
Falling for Kyle Abraham, again, at New York City Ballet

When We Fell, Kyle Abraham’s bracing new piece for NYCB, made a minimalist statement on a maximalist quadruple bill, also notable for stunning ensemble work in Alexei Ratmansky's Odesa.
Art stands out: Wheeldon, Balanchine and a Justin Peck world premiere

Scenic designs left the most lasting impressions of a mixed bill at New York City Ballet featuring a world premiere by Justin Peck.
In their 75th anniversary year, New York City Ballet return to London

An intermittently sparkling evening culminates in a thrilling explosion of art.
Twyla Tharp: still cool after all these years

Two world premieres and a piece created in 1975. Tharp herself came onstage to raucous applause. She might be “pop dance”, but audiences love it.
