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In their 75th anniversary year, a welcome return to London by dancers from New York City Ballet

Daniel Ulbricht in Justin Peck's Rotunda
© Erin Baiano
Megan Fairchild and Anthony Huxley in George Balanchine's Duo Concertant
© Paul Kolnick
Naomi Corti and Adrian Danchig-Waring in Pam Tanowitz' Gustave Le Gray No.1
© Erin Baiano
Christopher Grant and Peter Walker in Kyle Abraham's Love Letter (on shuffle)
© Erin Baiano
New York City Ballet in Kyle Abraham's Love Letter (on shuffle)
© Erin Baiano
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“we were in for a stunning treat to close the show”
Crítica hecha desde Sadler's Wells Theatre, Londres el 7 marzo 2024
Rotunda (Justin Peck)
Duo Concertant (George Balanchine)
Gustave le Gray no. 1 (Pam Tanowitz)
Love Letter (On Shuffle) (Kyle Abraham)
New York City Ballet
Megan Fairchild, Bailarín
Gilbert Bolden III, Bailarín
Anthony Huxley, Bailarín
Elaine Chelton, Piano
Kurt Nikkanen, Violín
Stephen Gosling, Piano
Naomi Corti, Bailarín
Adrian Danchig-Waring, Bailarín
Emily Kikta, Bailarín
Mira Nadon, Bailarín
Taylor Stanley, Bailarín
Roman Mejia, Bailarín
Daniel Ulbricht, Bailarín
NYCB: Ratmansky’s The Naked King is not satire, but good fun
****1
Irresistible: Justin Peck’s The Wind-Up premieres at NYCB
****1
The Royal Ballet in Perspectives: a diverse and challenging triple
****1
Few signs of heat in a mixed bill at New York City Ballet
***11
Atlanta Ballet showcases impressive range in Balanchine & Peck program
****1
NYCB: Justin Peck revisits the familiar in Mystic Familiar
****1
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