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BostonIl combattimento di Tancredi e Clorinda - Monteverdi

Monteverdi
William Christie; Paul Agnew; Ana Vieira Leite; Rebecca Leggett; Mélodie Ruvio
HanoverIl combattimento di Tancredi e Clorinda - Monteverdi

Monteverdi
William Christie; Paul Agnew; Ana Vieira Leite; Rebecca Leggett; Mélodie Ruvio
VancouverIl combattimento di Tancredi e Clorinda - Monteverdi

Monteverdi
William Christie; Paul Agnew; Ana Vieira Leite; Rebecca Leggett; Mélodie Ruvio
Kansas CityIl combattimento di Tancredi e Clorinda - Monteverdi

Monteverdi
William Christie; Paul Agnew; Ana Vieira Leite; Rebecca Leggett; Mélodie Ruvio
VersallesIl combattimento di Tancredi e Clorinda - Monteverdi

Monteverdi
William Christie; Paul Agnew; Ana Vieira Leite; Rebecca Leggett; Mélodie Ruvio
Últimas críticasVer más...
Jefté revive en la versión de Les Arts Florissants
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Dos obras del siglo XVII dedicadas a la figura bíblica de Jefté fueron interpretadas con gran éxito en Salamanca por Les Arts Florissants, bajo la dirección de Paul Agnew.
Hannu Lintu shows Singapore great things to come with Mahler and Haydn
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The Singapore Symphony Orchestra's Music Director-designate made his mark conducting Mahler's Fourth Symphony and the Nelson Mass.
Biblical Handel: Athalia in Halle
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Handel's third English oratorio is presented in strictly traditional fashion at the 2024 Halle Handel Festival but nonetheless generates drama, excitement and excellent singing.
La Grande Messe du Philhar’ : Mozart cherche sa paroisse
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Sur le fond comme sur la forme, le chef-d'œuvre inachevé de Mozart dirigé par Leonardo García Alarcón laisse sur sa faim, malgré l'implication des forces de l'Orchestre Philharmonique de Radio France.
Fairy style for the Fairest Isle: King Arthur at Temple Church
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A concert performance of a Purcell semi-opera can never fully succeed, but compromise is worth it, if it enables us to hear a significant part of a major composer's output.
Au Festival d'Ambronay, les Arts Florissants protéiformes
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Paul Agnew tire le meilleur de ses Arts Florissants au Festival d’Ambronay, dans les madrigaux audacieux de Schütz comme dans quatre plus classiques Cantates de Bach.
