Live Eventsmehr...
BostonIl combattimento di Tancredi e Clorinda - Monteverdi
Monteverdi
William Christie; Paul Agnew; Ana Vieira Leite; Rebecca Leggett; Mélodie Ruvio
HanoverIl combattimento di Tancredi e Clorinda - Monteverdi
Monteverdi
William Christie; Paul Agnew; Ana Vieira Leite; Rebecca Leggett; Mélodie Ruvio
VancouverIl combattimento di Tancredi e Clorinda - Monteverdi
Monteverdi
William Christie; Paul Agnew; Ana Vieira Leite; Rebecca Leggett; Mélodie Ruvio
Kansas CityIl combattimento di Tancredi e Clorinda - Monteverdi
Monteverdi
William Christie; Paul Agnew; Ana Vieira Leite; Rebecca Leggett; Mélodie Ruvio
VersaillesIl combattimento di Tancredi e Clorinda - Monteverdi
Monteverdi
William Christie; Paul Agnew; Ana Vieira Leite; Rebecca Leggett; Mélodie Ruvio
Neue Kritikenmehr...
Hannu Lintu shows Singapore great things to come with Mahler and Haydn
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The Singapore Symphony Orchestra's Music Director-designate made his mark conducting Mahler's Fourth Symphony and the Nelson Mass.
Jefté revive en la versión de Les Arts Florissants
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Dos obras del siglo XVII dedicadas a la figura bíblica de Jefté fueron interpretadas con gran éxito en Salamanca por Les Arts Florissants, bajo la dirección de Paul Agnew.
Biblical Handel: Athalia in Halle
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Handel's third English oratorio is presented in strictly traditional fashion at the 2024 Halle Handel Festival but nonetheless generates drama, excitement and excellent singing.
La Grande Messe du Philhar’ : Mozart cherche sa paroisse
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Sur le fond comme sur la forme, le chef-d'œuvre inachevé de Mozart dirigé par Leonardo García Alarcón laisse sur sa faim, malgré l'implication des forces de l'Orchestre Philharmonique de Radio France.
Fairy style for the Fairest Isle: King Arthur at Temple Church
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A concert performance of a Purcell semi-opera can never fully succeed, but compromise is worth it, if it enables us to hear a significant part of a major composer's output.
Au Festival d'Ambronay, les Arts Florissants protéiformes
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Paul Agnew tire le meilleur de ses Arts Florissants au Festival d’Ambronay, dans les madrigaux audacieux de Schütz comme dans quatre plus classiques Cantates de Bach.