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ParísDon GiovanniNueva producción
Mozart: Don Giovanni
Finnegan Downie Dear; Louisa Proske; Opéra national de Paris; Stephanie Childress; Christof Hetzer; Kaye Voyce; Valerio Tiberi
BerlínRigoletto
Verdi: Rigoletto
Domingo Hindoyan; Bartlett Sher; Staatsoper Berlin; Michael Yeargan; Catherine Zuber; Donald Holder; Staatskapelle Berlin
Nueva YorkMedea
Cherubini: Médée/Medea
Carlo Rizzi; Sir David McVicar; Metropolitan Opera; Doey Lüthi; Paule Constable; The Metropolitan Opera Orchestra
LondresThe Magic Flute
Mozart: La flauta mágica (Die Zauberflöte)
Dalia Stasevska; Sir David McVicar; The Royal Opera; Julia Jones; John Macfarlane; Paule Constable
LondresIl trittico
Puccini
Speranza Scappucci; Richard Jones; The Royal Opera; Ultz; Nicky Gillibrand; DM Wood; Orchestra of the Royal Opera House Covent Garden
BerlínKirill Petrenko conducts “Hänsel und Gretel”Versión semiescenificada
Humperdinck: Hänsel und Gretel
Berliner Philharmoniker; Kirill Petrenko; Matthias Davids; Andrew D. Edwards; Samantha Hankey; Elena Villalón
Últimas críticasVer más...
A deli-cious revival of Rossini’s Il turco in Italia at Glyndebourne
Mariame Clément’s production of Rossini's meta comedy is tightly revived with some excellent singing. Come for the writing tips, stay for the cured meats.
La Flûte enchantée universelle de Julien Duval à Bordeaux
La mise en scène de Julien Duval s'empare du chef-d'œuvre de Mozart selon une approche psychologique, minimaliste, mais qui n'oublie ni la subtilité ni l'humour.
Handel’s Ariodante returns home to Covent Garden
Jetske Mijnssen’s house debut sees Handel’s opera transposed to a modern-day palace, with Emily D'Angelo angelic in the title role.
Lorca retold in Met's remarkable restaging of Golijov’s Ainadamar
Deborah Colker directs an ambitious show, which works incredibly well with storytelling as emotive as it is narrative, confronting death and loss in sharp, weary pains.
James Gaffigan leads a heavenly Mahler 4 at Tanglewood
In his debut with the Boston Symphony Orchestra, Gaffigan threads the needle between innocence and irony in Mahler's great work, ably supported by soprano Elena Villalón.
Mark Morris’ dance-intensive Orfeo ed Euridice returns to the Met
The latest revival of the company’s 2007 stylish production of Gluck’s operatic take on the Orpheus myth is enlivened with superb singing and dancing.