James Gaffigan leads a heavenly Mahler 4 at Tanglewood

James Gaffigan conducts the Boston Symphony

Elena Villalón, James Gaffigan and the Boston Symphony

Por Cameron Kelsall, 11 agosto 2024

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“several US orchestras will have vacancies... Gaffigan’s name should be on many a shortlist”

Crítica hecha desde Tanglewood, Koussevitzky Music Shed, Lenox el 11 agosto 2024

Clyne, Sound and Fury

Mozart, Idomeneo, re di Creta, K366: Quanti mi siete intorno...Padre, germani, addio!

Mozart, Le nozze di Figaro (The Marriage of Figaro), K492: Deh vieni, non tardar

Mahler, Sinfonía núm. 4 en sol mayor

Boston Symphony Orchestra

James Gaffigan, Dirección

Elena Villalón, Soprano

A Evgeny Kissin tour de force in Boston

Kevin Wells, 25th April

Andrey Boreyko makes an impressive debut with the Boston Symphony, where Evgeny Kissin performs in not one, but two piano concertos.

****1

Andris Nelsons and the BSO arrive in New York, with baggage in tow

Cameron Kelsall, 9th April

In his first New York appearance since the termination of his contract as BSO Music Director, Nelsons courts public sympathy and makes some thrilling music.

***11

Herbert Blomstedt conducts Brahms with the Boston Symphony

Kevin Wells, 5th March

Herbert Blomstedt demonstrates the “singability” of Brahms in his latest appearance with the Boston Symphony, concluding with the autumnal glow of the Fourth Symphony.

*****

An earthbound Missa Solemnis from Boston Symphony Orchestra

Cameron Kelsall, 11th October

In celebration of the 125th anniversary of Symphony Hall, Andris Nelsons returns to the work that opened the venue on 15th October 1900.

***11

Andris Nelsons and the Boston Symphony perform Debussy and Mahler

Kevin Wells, 4th October

Andris Nelsons celebrates Symphony Hall’s 125th anniversary with two works contemporaneous to the hall’s first season: Debussy’s Nocturnes and Mahler’s Symphony no. 4 (both premiered in 1901).

***11

As usual, Beethoven ushers out the BSO season at Tanglewood

Cameron Kelsall, 24th August

The season-ending performance of Beethoven's Ninth Symphony loses its intended conductor but remains enjoyable, if somewhat under-rehearsed.

***11

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Cameron Kelsall

Cameron Kelsall is a classical music critic and cultural reporter. He has written for Bachtrack since 2019, and his byline has appeared in many national and international classical music publications. Based in Philadelphia, he regularly travels around the United States for musical events. In addition to his career in journalism, Cameron also teaches in the Theatre Arts program at the University of Pennsylvania. He is also a certified sommelier and avid home cook. His favorite composer is Mahler. Twitter: @CameronPKelsall.