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Performer: Enrique Mazzola

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LondresFrench fancies

French fancies
Berlioz, Canteloube, Bizet, Gershwin
London Philharmonic Orchestra; Enrique Mazzola; Anna Caterina Antonacci

BerlínLes Contes d'HoffmannNew production

Offenbach: Les Contes d'Hoffmann (The Tales of Hoffmann)
Enrique Mazzola; Laurent Pelly; Deutsche Oper Berlin; Chantal Thomas; Daniel Johansson; Kathryn Lewek

ParísMinuit à Vienne – Orchestre national d'Île-de-France

© Christophe Urbain
Suppe, Strauss I, Strauss
Orchestre national d'Île de France; Enrique Mazzola

ParísJulie Fuchs – Orchestre national d'Île-de-France

Donizetti, Meyerbeer, Rossini
Orchestre national d'Île de France; Enrique Mazzola; Julie Fuchs

ParísLa Cinquième – Orchestre national d'Île-de-France

© Christophe Urbain
Bach, Mahler
Orchestre national d'Île de France; Enrique Mazzola
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David Alden's new Maria Stuarda disappoints in Zurich

Diana Damrau (Maria Stuarda) and Serena Farnocchia (Elisabetta) © Monika Rittershaus
Gaetano Donizetti’s Maria Stuarda is perhaps most famous for a single and highly emotional scene in which two monarchs engage in a venomous confrontation. One is doomed to die. 

A wing and a prayer: Le Prophète

Noel Bouley (Mathisen), Gregory Kunde (Jean), Derek Welton (Zacharie), Clémentine Margaine (Fidès) © Bettina Stöß
Oliver Py's new Meyerbeer staging offers plenty of clichés, but is a solid show, backed up by a fine musical performance.

Neon and cubes in Zurich

Maxim Mironov (Almaviva) © Toni Suter
Questionable identities, clandestine messages, love and money are the stuffs of Gioacchino Rossini’s Il barbiere di Siviglia, revived again in Zurich.

Il Signor Bruschino au Théâtre des Champs-Elysées : Il Signor Quiproquo !

Enrique Mazzola © ONDIF | Eric Garault
L’orchestre national d’Ile de France fait ressortir dès les premières notes le côté comique de l’opéra, tout en montrant un plaisir gourmand à jouer cette musique légère et chatoyante.

Bel canto Schumann unzipped by Enrique Mazzola and the Philharmonia

Enrique Mazzola © Eric Garault
In the absence of an indisposed Christoph von Dohnányi, Enrique Mazzola impressed in a perfectly formed programme with the Philharmonia.