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Intérprete: Gary McCann

Live EventsVer más...

DublinCarmen

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Bizet: Carmen
Fergus Sheil; Paul Curran; Irish National Opera; Gary McCann; Paul Hackenmueller; Irish National Opera Orchestra

TorontoAriadne auf NaxosNueva producción

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Strauss R.: Ariadne auf Naxos
Johannes Debus; Paul Curran; Canadian Opera Company; Gary McCann; Howard Hudson; Canadian Opera Company Orchestra

TurínLa traviataNueva producción

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Verdi: La traviata
Andrea Battistoni; Jacopo Spirei; Teatro Regio di Torino; Gary McCann; Giada Masi; Fiammetta Baldiserri; Orchestra del Teatro Regio di Torino
Últimas críticasVer más...

Olga Kulchynska anchors a dream-haunted Eugene Onegin in Santa Fe

Olga Kulchynska (Tatyana) © Bronwen Sharp for Santa Fe Opera

Olga Kulchynska’s compelling Tatyana leads a strong cast in Santa Fe Opera’s Eugene Onegin, as Alessandro Talevi lets forests, dreams and folkloric imagery seep into its 19th-century world.

Viennese splendour in Garsington’s Rosenkavalier revival

Niamh O'Sullivan (Octavian), Matilda Sterby (the Marschallin) and Andreas Bauer Kanabas (Baron Ochs) © Julian Guidera
Bruno Ravella's splendid 2021 production of Strauss' opera of Viennese manners returns with a fine cast. 

Anna Netrebko gatecrashes Riccardo Chailly’s La Scala farewell

Anna Netrebko (Abigaille) © Brescia e Amisano | Teatro alla Scala
Riccardo Chailly’s final new production as artistic director is a celebration of Verdi and of a conductor whose relationship with the Milanese audience has clearly deepened over the years.

Sasha Cooke brings sharp intelligence to Seattle Opera’s Carmen

Sasha Cooke (Carmen) and Christian Pursell (Escamillo) © Sunny Martini
Sasha Cooke’s thoughtful role debut anchors Paul Curran’s visually and musically alert but dramatically uneven production.

Rossini Opera Festival’s clever pairing of first and last laughs

Paola Leoci (Fannì), Ramiro Maturana (Norton), Jack Swanson (Edoardo Milfort) © Amati Bacciardi

Rossini’s first staged opera, La cambiale di matrimonio, in a spirited production by Laurence Dale, paired with his late work Les soirées musicales in a successful performance.

A radically trad Fidelio at Garsington

Robert Murray (Florestan) © Julian Guidera
Simple solutions prove the best in Beethoven's "problem" opera as John Cox's staging is revived at Garsington.