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Die Fledermaus at The Grange: Cabaret meets G&S
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A fine singing cast gives creditable performances in Johann Stauss II's most famous operetta, but Paul Curran's updating of Act 2 to 1930s Berlin takes the fizz out of the Champagne.
The Rake's Progress at The Grange: richly entertaining
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Singing performances are excellent, the staging is well crafted and Stravinsky's eclectic score entertains from start to finish. But it's an evening's opera that doesn't touch the soul.
Obsession at The Grange: The Queen of Spades
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In a setting that might be The Grange itself, a production which steadily tightens its grip until a blistering finish.