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Three card trick: compelling new Queen of Spades at Garsington
Jack Furness directs a terrific new Queen of Spades at Garsington – haunting and harrowing.
Emotion and mayhem: a golden double bill from Royal Academy Opera
Students triumph in Tchaikovsky's Iolanta and Ravel's L'Enfant et les sortilèges.
Dove's Flight takes off superbly
Dove's infectious score nods to Copland, Bernstein and Britten and its tongue-twisting ensembles and high-wire vocal writing were wonderfully performed.
Royal Academy tackles The Threepenny Opera
Brecht and Weill's tirade against Big Money is exceptionally well acted throughout; vocal and musical performances are more mixed.
Riotous journey to the Underworld
“Folies Bergère does Greek gods” is how director Martin Duncan describes Offenbach's Orphée aux enfers, and his production for Royal Academy Opera is enormous fun.