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Intérprete: Henry Waddington

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LondresMessiah

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Handel: El Mesías
Thomas Allery; Choristers of Temple Church Choir; Temple Players; Fflur Wyn; Lea Shaw

High WycombeThe Importance of Being EarnestNueva producción

Henry Waddington (Lady Bracknell) © Richard Hubert Smith
Barry: The Importance of Being Earnest
Douglas Boyd; Jack Furness; Garsington Opera; Francis O'Connor; Hannah Wolfe; Philharmonia Orchestra; Rebecca Meltzer

High WycombeLa traviataNueva producción

Madison Leonard (Violetta) and Oleksiy Palchykov (Alfredo) © Clive Barda
Verdi: La traviata
Douglas Boyd; Louisa Muller; Garsington Opera; Tess Jackson; Christopher Oram; Marcus Doshi

GlyndebourneThe Marriage of Figaro

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Mozart: Las bodas de Fígaro (Le nozze di Figaro)
Bertie Baigent; Mariame Clément; Glyndebourne Autumn; Julia Hansen; Paule Constable; Glyndebourne Sinfonia

LondresIl trittico

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Puccini
Speranza Scappucci; Richard Jones; The Royal Opera; Ultz; Nicky Gillibrand; DM Wood; Orchestra of the Royal Opera House Covent Garden
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Deborah Warner culmina su sueño escénico en el Teatro Real

Iestyn Davies (Oberon) y  Liv Redpath (Tytania) © Javier del Real | Teatro Real
Warner vuelve a mostrar su talento indiscutible en la escena y su afinidad con Benjamin Britten, aunque, en esta ocasión, el aspecto musical no ha acompañado lo suficiente.

The Importance of Being Earnest is a smash hit for Garsington

Henry Waddington (Lady Bracknell) © Richard Hubert Smith
A handbag? Jack Furness’ uproarious new production of Gerald Barry’s irreverent take Oscar Wilde bares some very sharp teeth. 

Garsington’s new La traviata ticks every musical and dramatic box

Madison Leonard (Violetta) and Oleksiy Palchykov (Alfredo) © Clive Barda
Music Director Douglas Boyd conducts a performance of exceptional musical quality, and Louisa Muller's uncontroversial but passionate direction makes this Traviata one for the ages.

Jeannette Sorrell and the Hallé find drama in Handel’s Messiah

Jeannette Sorrell conducts The Hallé © Sharyn Bellemakers | The Hallé
Jeanette Sorrell brings a Messiah to Manchester that adds a sense of drama, bridging the gap between oratorio and opera.

The Royal Opera stages its first Makropulos Case

Aušrinė Stundytė (Emilia Marty) and Sean Panikkar (Albert Gregor) © The Royal Opera | Camilla Greenwell
Katie Mitchell wheels out her tired old tropes in The Makropulos Case, redeemed by its musical performances. 

A mafioso Merry Widow at Opera Holland Park

Alex Otterburn (Danilo) © Mihaela Bodlovic
Despite some excellent music-making, John Savournin's production is hindered by a laboured New York relocation.